Doctor Auch-it-Hurts, a musical play by Edward Rozinsky based on the poetry of a Russian writer Korney Chukovsky.
The Sheepdog that Danced Ballet, a play by Miami native Phyllis Barash about the dog that went to obedience school.
The Lottery Ticket, a mime-drama created and directed by Edward Rozinsky based on short stories by Shalom Aleichem. A play was acted by Ruth Tamir
A theater of the University of Miami Drama Department
Question 1. Is your Virtual Instructor course a lecture?
Answer: No, it is a practical class with an Instructor giving detailed descriptions of the exercises, which are to be performed immediately, and in time with the music.
Question 2. Can I skip a lesson if I feel that the exercises are too simple for me?
Answer: We wouldn't recommend it because the exercises are stepped, and for you to get to the final stage, all the preliminary stages are necessary.
Question 3. Can I do two or more Lessons in one day to finish the program faster?
Answer: No. The program is designed to be taken regularly two or three times a week and one Lesson at a time. Your muscles and your mind need the time to digest all the material given in the program properly.
Question 4. Can I take your Lessons together with other people?
Answer: Yes, we would even recommend you to do so. Theatre is a collective art, and it would be beneficial to exercise with your peers. Just make sure the room is big enough to accommodate the students. Also, some exercises must be performed in certain formations, like a line, a circle, etc. Your Video Instructor will tell you more about it.
Question 5. Can I invite guests to watch me exercise?
Answer: Yes, very much so. Remember, at some point in your study in Theater Arts, you would have to demonstrate your efforts to the audience. Why not do it during the Stage Movement lesson? Besides, the tasks are mostly simple enough to perform perfectly and artistically, so it becomes interesting to watch.
Question 6. Can I get credit in my institution for taking this class?
Answer: Yes, you can. We have already been contacted by several Theater Departments, which will include this course in their programs. Students get credit after completing the course online and passing the Final Lesson in front of a faculty member. Let your department know about Incorporating this course in their Curriculum.
Question 7. Does this course contain everything a student should learn regarding Stage Movement?
Answer: No, there is much more a professional actor must know and be able to do with his/her body. Soon to come is the course called "Period Movement and Period Dance," then there are "Stage Combat" and "Mime." "Essential Stage Movement" will develop your essential Faculties, Habits, and Skill, which you can use later in mastering other special skills for your future profession.
Question 8. What if I am teaching Stage Movement and would like to know more about this Method?
Answer: My Textbooks "Essential Stage Movement" and "Essential Stage Fencing" are available on this Website. These books will be instrumental in helping you understand more about the Method, techniques, and theory of the subject. Also, you might be interested in following my blog.
Essential Stage Movement
It consists of 30 Lessons, 75 minutes each in Stage Movement for individuals or groups with the Introduction and Test Lesson. Scripted, Produced, and Edited by Prof. Rozinsky.
Principal Instructor – Edward Rozinsky. 2020
A demonstration Video is featuring Prof. Rozinsky teaching Stage Movement to students of the University of Miami Drama Department, 1986.
An educational Video is featuring Period Movement and Costume for Drama students. 1985.
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